MIKE HALLENBECK

MUSIC : WORK SAMPLES

MUSIC : SCREEN : ID/ INSTITUTIONAL/ BRANDING

GXnext

Web Series Promos

Sonic Scoop / Avid

Connect Trailer

Everlast

CMTEL

The Playwrights' Center

MUSIC : SCREEN : NARRATIVE/ EXPERIMENTAL

Johnny Depp Is Not Dead

re:form Ancestors

Abandon

Red and Blue Fly Away Forever

Fate

Retrofit Scores

MUSIC + SOUND :
GAMES / MACHINIMA

Tree Fort Defense

Adventurescape

Hunter Fuel

MUSIC : DANCE

XX / XY / XO

Blue Heaven

I Like You

MUSIC : THEATER

Sexy Librarian: File Under Rock Musical

Antigone

Cowboy Vs. Samurai

Klingon Christmas Carol

MUSIC : PERFORMANCE

Tuesday series @ Madame 9/13/11

Sound Spandrel: Science Museum

Collections UMMA

iQuit 6/8/09

Acadia w/ Viv Corringham 11/1/05

24 Hour Drone

MUSIC : RELEASES

The Material

The Secret History of Karaoke

Silent Night (Shepherds Quake)

Music Box Hero

INSTALLATIONS

McNeill Street Pumping Station New Music Festival

Things I've Said In My Sleep

Sound Spandrel: MMAA

The Premises

SOUND DESIGN : WORK SAMPLES

GXnext

Sound for Animation : Holy Moly

Reel: Foley/ SFX

Reel: Foley/ SFX: Tuesday

Reel: Foley/ SFX: Silent Hill: Anniversary

Reel: Post Sound Edit / Mix

I LIKE YOU

Samples of original music I composed for "I Like You", a multi-disciplinary performance piece by choreographer/ director Laura Holway. The show concerns varying spheres of intimacy, and how social experience transcends the barriers between these zones to establish human relationships. To create the piece, Holway assembled four strangers (Drew Hammond, Peter Hogan, Lindsay Marcy, Maggie Smith) and drew material for the performance from their growing familiarity with one another.

The mandolin/ bass piece (first 30 seconds of the video) came about in response to a request to approximate "Zorba the Greek". Holway wanted to create the association of a wedding dance to evoke intimacy in flux.

The funky number from 0:30 to 0:48 (and during the credits from 1:17 to the end) was inspired by "Rip It Up" by Orange Juice, the temp track in use for a routine where we see a character in private performing repetitive actions. I took the blurpy synth sensibility and ran with it.

The stuttery ambient material from 0:48 to 1:17 has an odd history. Originally a character performed a ukulele/ vocal solo to depict solitude, and I was to create an orchestral arrangement that would grow out of this performance. Elsewhere in the show, this arrangement would appear in a warped, almost insectile form, which is what we hear here. In the end, Holway decided just to use this piece on its own since the rest of the material wasn't able to fit into the show.

[ 2011 ]

MIKE HALLENBECK

COMPOSER

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